Creativity is a renewable resource, but keeping it freely flowing requires monitoring and motivation.
Roberto Blake examines the advantages and disadvantages of a digital and a print portfolio for a designer—and how you should present each one.
In the digital era, visual communication and design aren't easily defined—they are social, environmental, product-centric, user-centric and more.
Douglas Davis believes all creatives can learn the language of business to become key decision-makers in their design meetings. And he has a guide for them.
How do you make your graphic designer portfolio stand out from the other applicants? Check out these tips on what to include in your design portfolio.
Creative director Maria Rapetskaya shares tips for that learning curve that every independent designer must undergo when learning to report to themselves.
Whether you’re fresh out of college or looking to switch things up in your creative career, you may be thinking about a job relocation. Moving is both an exciting and a daunting process. The exciting part is the chance to meet a different group of like-minded professionals and the thrill of discovering a new...
Explore Philadelphia design firms, hot spots and the creative community that loves its city’s accessibility, affordability, dining, culture, green spaces—and the clients who keep them busy doing great work.
Relying on design clichés—the established visual and behavioral patterns we’ve developed over the history of design—can help us move faster.
Andy Brenits offers essential tips for finding an in-house design job.