It was first born from a personal experiment: transforming a geometric sans serif “à la Futura” into a charming postmodern deco design. It was applied in a poster specially designed for a typography exhibition called Pimp the Type. Later it became a well-suited typeface for the word: from titles for magazines to book & record covers and packaging. The family consists in one single weight, which is provided with Discretionary Ligatures, Alternative Characters, Swashes Forms, Initials and some Stylistic Sets. The Ornaments Series will be designed in the future, as well as a Cyrillic update, developed with the help of Irina Smirnova.
|For more resources about typography, visit My Design Shop.Type Idea Index by Jim Krause
The basic principle behind Type Idea Index is simple: ideas breed ideas. If you are looking for new ways of employing type in your works of art and design (or new twists to apply to your current typographic techniques), open Type Idea Index. You’ll find yourself face-to-face with 650+ custom-created, idea-sparking examples of typography and type-intensive design.