To feed your hunger for more letterpress knowledge, check out the DesignCast Freaks of Fancy, and Everything You Wanted to Know About Wild, 19-Century Printing Techniques.
6. As with offset printing, metallic inks do not look very “metallic” on uncoated white papers. The paper tends to absorb the metallic nature of the ink, and lessens the light reflection of the metallic, making it appear like more of a flat color. If you are going for a high-metallic effect, Gilah recommends either a foil stamp or offset printing on a coated sheet. (ex:6a)
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Kudos and thanks to Kat for such an informative article.
The information contained in her article should help designers get the most out of letterpress, and not go down paths that cause frustration and disapointment.
One other point I would like to share is that the final look of a specified color is dependent upon the chosen substrate. The color on your screen may be quite different from the printed piece. A Pantone book is an investment, but wise one.
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